Archive Search

The Council for the International Biennale in Nagoya. ARTEC '89: the possibility for art and technology. Nagoya: The Chunichi Shimbun, 1989.

Coupe, James. Art, Surveillance and Metadata In Worldmaking as Techné: Exploring Worlds of Participatory Art, Architecture, and Music, edited by M-D. HosaleRolling Meadows: 2016.

Waelder, Pau. Selling and collecting art in the network society. Interactions among contemporary art new media and the art market. Phd Thesis, Universitat Oberta de Catalunya, Barcelona, February 2016.

Wands, Bruce. Art of The Digital Age. 1st Edition th ed.London + NYC: Thames & Hudson, 2006.

Tomislav Vignjević. Bodyfraction Nova Gorica: Municipal Gallery Nova Gorica (2020).

Dreher, Thomas. Performance Art nach '45: Aktionstheater und Intermedia. Munich: Wilhelm Fink Verlag, 2001.

Dreher, Thomas. Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main: Peter Lang, 1992.

Moore, Lila. The Transcendent Double Selfie App Proceedings of Taboo-Transgression-Transcendence in Art and Science Conference, Ionian University, Department of Audio & Visual Arts: Corfu, Greece (2017): 229-236.

Simó, Águeda. Combining Stereoscopic Live Action Video with Holobench-type Displays: an Artistic Exploration of Space Dimensions ACM DL VRIC'2018 (2018).

Seaman, Bill. Neosentience and the Abstraction of Abstraction Systems Connecting Matter, Life, Culture and Technology 1, no. 1 (2013).