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"Paddling in noises" (Poetry)
2014
Gomez, German. "Paddling in noises" (Poetry). Buenos Aires: Dunken Editorial, 2014.
CODeDOC II: curator's statement
2003
Paul, Christiane. CODeDOC II: curator's statement http://www.aec.at/CODeDOCII.
The Translation Zone. A New Comparative Literature
2006
Apter, Emily S.. The Translation Zone. A New Comparative Literature. Princeton, NJ: Princeton Univ. Press, 2006.
Software Archaeology and the Preservation of Code-based Digital Art
2013
Marchese, Francis T.. Software Archaeology and the Preservation of Code-based Digital Art In Proceedings of Archiving Conference 2013, edited by Society for Imaging Science and Technology, 25-30. Springfield, VA: 2013.
New Media in the White Cube and Beyond - Curatorial Models for Digital Art
2008
Christiane Paul. New Media in the White Cube and Beyond - Curatorial Models for Digital Art. Berkeley, CA: UC Press, 2008.
Expanding Cinema: The Moving Image in Digital Art
2008
Christiane Paul. Expanding Cinema: The Moving Image in Digital Art In Film and Video Art, edited by Stuart ComerLondon: Tate Publishing, 2008.
Digital Art / Public Art: Governance and Agency in the Networked Commons
2008
Christiane Paul. Digital Art / Public Art: Governance and Agency in the Networked Commons In Interface Cultures - Artistic Aspects of Interaction, edited by Christa Sommerer and Laurent Mignoneau and Dorothee KingVienna/London: Springer Verlag,
Context Providers. Conditions of Meaning in Media Arts
2011
Christiane Paul and Margot Lovejoy and Victoria Vesna. Context Providers. Conditions of Meaning in Media Arts. Bristol: Intellect Ltd., 2011.
Pedigree
2003
Feuerstein, Thomas. Pedigree http://www.annjakrautgasser.net/home.php?il=83&l=en [21.10.2014].
What you see is what you get?
2010
Galloway, Alexander. What you see is what you get? In The archive in motion: new conceptions of the archive in contemporary thought and new media practices, edited by Eivind Røssaak, 155-182. Oslo: Novus Press, 2010.
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