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Towards a Field Theory for Postmodernist Art 1980

Ascott, Roy. Towards a Field Theory for Postmodernist Art Leonardo 13, no. 13 (1980): 51-52.
Design for an Intelligence Amplifier 1956

Ashby, William Ross. Design for an Intelligence Amplifier In Automata Studies, edited by Claude Shannon and J. Mc Carthy, 215 - 234. Princeton, New Jersey: Princeton University Press, 1956.
An Introduction to Cybernetics 1956

Ashby, William Ross. An Introduction to Cybernetics. London: Chapman and Hall Ltd., 1956.
Introduction to Distributed Communications Networks 1964

Baran, Paul. Introduction to Distributed Communications Networks In On Distributed Communications. Rand Corporation Memorandum, edited by Rand CorporationSanta Monica: RAND, 1964.
Aesthetica IV: Programmierung des Schönen. Allgemeine Texttheorie und Textästhetik 1960

Bense, Max. Aesthetica IV: Programmierung des Schönen. Allgemeine Texttheorie und Textästhetik. Baden - Baden, Krefeld: Agis - Verlag, 1960.
Technology and Art 15: Computer Graphics at Brunel 1970

Benthall, Jonathan. Technology and Art 15: Computer Graphics at Brunel Studio International 197, no. 923 (1970): 247-248.
6th Annual Computer Art Contest 1968

Berkeley, Edmund C.. 6th Annual Computer Art Contest Computers and Automation 17, no. 8 (1968): 6.
Die mathematische Denkweise in der Kunst unserer Zeit 1949

Bill, Max. Die mathematische Denkweise in der Kunst unserer Zeit. : 1949.
A Mathematical Theory of Aesthetics and its application to Poetry and Music 1932

Birkhoff, Georg David. A Mathematical Theory of Aesthetics and its application to Poetry and Music The Rice Institute Pamphlet 19, no. 3 (July 1932).
Einige Mathematische Elemente der Kunst 1968

Bense, Max and Elisabeth Walther, ed. Einige Mathematische Elemente der Kunst. Band 37, Stuttgart: Edition Rot, text 37, 1968.

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