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Benayoun, M.. L'éthique otaku : Tous seuls ensemble (la crise de contact et autres troubles des sens) http://www.academia.edu/35783297/L%C3%A9thique_otaku_Tous_seuls_ensemble_la_crise_de_contact_et_autres_troubles_des_sens_1999.

Dr. Turner, Ming. Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series East Asian Journal of Popular Culture 2, no. 2 (2016): 227-245.

Kuang-ying Kuo, Gwen. From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity Taiwan Digital Art and Information Center (2014).

Dr. Turner, Ming. Quasi-skin and post-human: Lin Pey-Chwen´s Eve Clones (2010-2011) n.paradoxa international feminist art journal 30 (2012): 33-39.

Tseng, Jane. The Birth of Eve Clone - Technological Satire of a Genetic Reproduction Laboratory Art Appreciation (2011): 61-63.

Yeh, C. J.. Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art Ming Chuan - Magazine (2011): 53-56.

Vincenzo de Bellis and Caroline Dumalin, ed. MARIO GARCÍA TORRES: ILLUSION BROUGHT ME HERE. Minnesota: Walker Art Center, 2019.

Fionn Meade and Joan Rothfuss and Olga Viso, ed. MERCE CUNNINGHAM: COMMON TIME. Minnesota: Walker Art Center, 2017.

Jeremijenko, Natalie and Thecla Schiphorst and Michael Mateas and Wolfgang Strauss and Will Wright and Andruid Kerne. Extending interface practice: an ecosystem approach (ACM panel) SIGGRAPH In Proceeding SIGGRAPH '02, ACM SIGGRAPH 2002 conference

Hosale, Mark-David and Sana Murrani and Alberto de Campo, ed. Worldmaking as Techné: Participatory Art, Music, and Architecture. Toronto: Riverside Architectural Press, 2018.