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Lust and Wanderlust: Sex and Tourism in a Virtual World
1993
Paterson, Nancy. Lust and Wanderlust: Sex and Tourism in a Virtual World Art and Cyberculture, Media Information Australia 69 (August 1993): 7-12.
Curly, Larry and PoMo
2000
Paterson, Nancy. Curly, Larry and PoMo In Vision Ruhr, edited by Westfalisches Industriemuseum Zeche Zollern II/IV and Dortmund Museum am OstwallOstfildern-Ruit: Hatje Cantz, 2000.
Design Research: Methods and Perspectives
2004
Laurel, Brenda, ed. Design Research: Methods and Perspectives. Cambridge, MA: MIT Press, 2004.
Utopian Entrepreneur
2001
Laurel, Brenda. Utopian Entrepreneur. Cambridge, MA: MIT Press, 2001.
Digital Creativity. Techniques for Digital Media and the Internet
2002
Wands, Bruce. Digital Creativity. Techniques for Digital Media and the Internet. New York: John Wiley and Sons Ltd., 2002.
Janet Cardiff, George Bures Miller: The Dark Pool
1995
Crowston, Catherine. Janet Cardiff, George Bures Miller: The Dark Pool Banff Centre (online publication) (1995).
What Can an Artist Do for Science: "Cosmic Voyage" IMAX Film
1998
Cox, Donna. What Can an Artist Do for Science: "Cosmic Voyage" IMAX Film In Art@Science, edited by Christa Sommerer and Laurent Mignonneau, 53-59. Wien, New York: Springer, 1998.
Caricature, Readymades and Metamorphosis: Visual Mathematics in the Context of Art
1993
Cox, Donna. Caricature, Readymades and Metamorphosis: Visual Mathematics in the Context of Art In The Visual Mind, edited by Michele Emmer, 105-112. Cambridge, MASS: MIT P, 1993.
Visualization in the Life Sciences
2006
Cox, Donna. Visualization in the Life Sciences In Aesthetic Computing, edited by Paul FishwickThe Leonardo Book Series, , 89-14. Cambridge, MASS: MIT Press, 2006.
Janet Cardiff : the former printmaker hit her stride with electronic art, winning acclaim this year at the National Gallery and the Venice Biennale
2001
Milroy, Sarah. Janet Cardiff : the former printmaker hit her stride with electronic art, winning acclaim this year at the National Gallery and the Venice Biennale The Globe and mail (December 29th 2001).
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