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Cox, Donna. What Can an Artist Do for Science: "Cosmic Voyage" IMAX Film In Art@Science, edited by Christa Sommerer and Laurent Mignonneau, 53-59. Wien, New York: Springer, 1998.

Cox, Donna. Caricature, Readymades and Metamorphosis: Visual Mathematics in the Context of Art In The Visual Mind, edited by Michele Emmer, 105-112. Cambridge, MASS: MIT P, 1993.

Boredomresearch. New Media Art: Practice and Context in the UK 1994-2004 In New Media Art: Practice and Context in the UK 1994-2004, edited by Lucy KimbellManchester: Cornerhouse Publications, 2004.

Burns, David R.. Digital Media, Memories and Representation :: Rebirth In Proceedings of ISEA 2009, The 15th International Symposium on Electronic Art, : International Symposium on Electronic Art (ISEA), 2009.

Burns, David R.. Dematerialization, Media, and Memory in the Digital Age In Proceedings of ISEA 2011, the 17th International Symposium on Electronic Art, Istanbul, Turkey: 2011.

Catherine Mason. A Computer in the Art Room: The Origins of British Computer Arts 1950-1980. Norfolk, UK: JJG Publishing, 2008.

Kac, Eduardo. Sur la notion d`art en tant que dialogue visuel In Art-Reseaux, edited by Karen O'Rourke, 20-23. Paris: Centres d`Etudes et de Recherches en Arts Plastique, Université de Paris I, Panthéon-Sorbonne, 1992.

Kac, Eduardo. Holopoetry, Hypertext, Hyperpoetry In Proceedings of the Holographic Imaging Conference, SPIE 2043, Bellingham, WA: Holographic Imaging and Materials (Proc. SPIE 2043), Tung H. Jeong, Editor (Bellingham, WA: SPIE,, 1993.

Kac, Eduardo. Interactive Art on the Internet In Ars Electronica 1995. Welcome to the Wired World, edited by Peter Weibel and Karl Gerber, 170-179. Wien, New York: Springer Verlag, 1995.

Kac, Eduardo and Marcel.li Antunez Roca. Robotic Art Leonardo Electronic Almanac 5, no. 5 (May 1997).