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Moore, Lila. Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and Performance Artists Master Thesis, Central Saint Martins College of Art and Design, London, 1989.

Ming Turner. Ming Turner, “Visualizing post-human and cybersexuality : Lin Pey- Chwen and the Eve Clone series" , East Asian Journal of Popular Culture Vol.2 , No. 2, 2016, page 227-245 “Visualizing post-human and cybersexuality : Lin Pey- Chwen and

Strauss, Wolfgang and Monika Fleischmann. VRML based extended galleries - reconsidering the concept of a multi user environment. Deliverable 1.1 VRML based extended galleries - reconsidering the concept of a multi user environmentElectronic Arenas

Novak, Jasminko et al. Knowledge through Personalized Learning Knowledge Maps. In Agent-Mediated Knowledge Management., edited by Ludger Van Elst, 231 - 228.. Berlin: Springer Verlag, 2003.

Schulze, Holger. On Taking Back An Artifical Separation. Introduction to Sound Art Visual, Transmediale 05 [].

Novak, Jasminko et al. Knowledge through Personalized Learning Knowledge Maps. In Agent-Mediated Knowledge Management., edited by Ludger Van Elst, 231 - 228.. Berlin: Springer Verlag, 2003.

Strauss, Wolfgang and Monika Fleischmann. Linking between real and virtual spaces. Deliverable D 6.2 eRENA Electronic Arenas fpr Culture, Performance, Art & Entertainment. Esprit Projekt 25379- [].

Fleischmann, Monika and Wolfgang Strauss. Medienkunst als Wissenskunst / Medial Arts as Knowledge Arts. In Wissenkünste! Das Wissen der Kunst und die Kunst zu wissen / The Knowledge of the Arts and the Art of Knowledge, edited by Sabine Flach and

Fleischmann, Monika and Wolfgang Strauss. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Kaleidoskopien, Theatralität, Performance, Medialität. Institut für Theaterwissenschaft der Universität Leipzig, no.

Fleischmann, Monika and Wolfgang Strauss. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Kaleidoskopien, Theatralität, Performance, Medialität.