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Pichler, Cathrin. Territorism II In Das Gute muss nicht immer das Böse sein – Kunst aus Vorarlberg, edited by Bucher GmbH & CoHohenems: 2007.

Pichler, Cathrin. Territorism II In Das Gute muss nicht immer das Böse sein – Kunst aus Vorarlberg, edited by Bucher GmbH & CoHohenems: 2007.

Assmann, Peter. Über das Skulpturale in der Videoskulptur In Objekt : Video, Ausstellungskatalog, edited by Oberösterreichische LandesgalerieWeitra: Bibliothek der Provinz, 1996.

Fuks, Suzon and Lila Moore, ed. Water e-Motion: Transformative Water Views in Caring and Daring – Waterwheel World Water Day Symposium 2014 – 3WDS14, e-book. Australia: Igneous Incorporated, Australia, 2015.

Li-chn Lin. Li-chn Lin, “ Tao and Tech—Reflection on Viewing Lin Pey Chwen’s Exhibition” “ Tao and Tech—Reflection on Viewing Lin Pey Chwen’s Exhibition” (2004).

Schulze, Holger. Heuristik – Theorie der intentionalen Werkgenese. Vol.2, pp. 125-132. ISBN 3-89942-326-7, 1 th ed.Bielefeld: Transcript Verlag, 2005.

Paul, Christiane and Sherry Turkle and et al.. Public Voices on Energie Passagen / Energy Passages [].

Fleischmann, Monika and Wolfgang Strauss. The Virtual Balance: An Input Device for VR Environments Proc of 6th Interfaces, Man-machine interaction, Montpellier La Lettre de I’IA, no. Nr. 123) (June 1997): 20-23.

Moore, Lila and Suzon Fuks, ed. Water e-Motion: Transformative Views In Water Views: Caring and Daring – Waterwheel World Water Day Symposium 2014 – 3WDS14, e-book. Australia: Igneous Incorporated, 2015.

Frank, Peter and Charlotte Frost and Thomas Miller and Michael J. Masucci and Victor Acevedo. Acevedo in Context: Analog Media 1977-1987 • Digital Media 1983 - 2020. 1st th ed.Los Angeles, CA. USA: Acevedomedia, 2022.