Archive Search

  • Huhtamo, Erkki. The Pleasures of the Peephole: An Archaeological Exploration of Peep Media In Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium, edited by Eric Kluitenberg, 74-155. Rotterdam: NAi, 2006.
  • Fischnaller, Franz. Multi Mega Book in the Cave In XXXIV Incontri Di Sorrento Del Cinema e dell´Audiovisio, edited by Gennarelli Bideri, 35-36. Naples: 1999.
  • Fleischmann, Monika and Wolfgang Strauss. Imagine a Space Filled with Data In Women, Art and Technology, edited by Judy Malloy, 111-112. Cambridge, MASS: MIT Press, 2003.
  • Fischnaller, Franz. Robots Avatars Dealing wih Virtual Illusions In Cyberarts `99: International Compendium Prix Ars Electronica, edited by Christine Schöpf and Hannes Leopoldseder, 49-50. Vienna, New York: Springer, 1999.
  • Domingues, Diana. Criacao e interatividade na ciberarte. São Paulo, BR: Experimento, 2002.
  • Sommerer, Christa and Laurent Mignonneau. Interaktive Echtzeit – Computerinstallation auf der Light Emotions in Hannover In Licht International: Planung – Design – Technik – Handel, , 206-207. München, DE: Pflaum Verlag, 1996.
  • Thompson, Seth. Bits and Bytes Colmuns: Zoe Beloff Dialogue: the Art, Architecture and Design Journal of the Heartland (January/February 2004).
  • Osmose
    Davies, Char. Osmose In Arte Virtual - Realidad Plural, edited by Karin OhlenschlägerMonterrey, MEX: Museo de Monterrey, MEX, 1997.
  • Licklider, Joseph Carl Robnett. The Computer as a Communication Device Science and Technology (April 1968).
  • Grant Marchand, Sandra. Char Davies: Osmose In Project Series, exhibition catalogue Musée d´art contemporain de Montréal, : 1995.