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Ascott, Roy. Cyborg est un verbe / Cyborg Is a Verb In International Directory of the Electronic Arts / Guide International des Arts Electroniques, edited by A. Bureaud, 8 -13. London: John Libby, 1995.

Strauss, Wolfgang and Monika Fleischmann. On the Track of Man's lost Senses VTEXT, a magazine about video/digital image/and the world of new media (June 1997).

Kluszczynski, Ryszard W.. Trans-media Art. On the Art of Ryszard Wasko In Ryszard Wa ś ko. Retrospective 1970-1990 (photography, film, video), edited by Ryszard W. KluszczynskiLodz: Galeria FF, 1997.

Lozano-Hemmer, Rafael. The Trace In Ars Electronica ´95 Compendium (Prix Ars Electronica 1995), Linz: 1995.

Tribe, Mark and Reena Jana and Uta Grosenick, ed. New Media Art. Cologne: Taschen, 2006.

Penny, Simon. Kunst, Körperbewusstsein und das Technische Weltbild In Ars Electronica 1996: Memesis. Die Zukunft der Evolution, edited by Gerfried Stocker and Christine Schöpf, Wien and New York. : Springer Verlag, 1996.

DOMINGUES, DIANA MARIA G. Ciberestética e a engenharia dos sentidos na Software Art. In Estéticas Tecnológicas: Novos modos de sentir, edited by Lucia SANTAELLA and Priscila ArantesSão Paulo: Educ, 2008.

Thompson, Seth. Bits and Bytes Colmuns: Zoe Beloff Dialogue: the Art, Architecture and Design Journal of the Heartland (January/February 2004).

Benayoun, Maurice. From Virtual to Public Space Toward an Impure Art In Understanding Mixed Reality? / Spaces for Emergent Communication, Bonn: 2001.

Bredekamp, Horst. Metaphern des Endes im Zeitalter des Bildes In Kunst der Gegenwart, edited by Heinrich Klotz, 32-37. München: Prestel, 1997.