Archive Search

Bedau, Mark A.. Philosophical Content and Method of Artificial Life In The Digital Phoenix: How Computers are Changing Philosophy, edited by Terrell Ward Bynam and James H. Moor, 135-152. Oxford: Basil Blackwell, 1998.

Frith, Simon and Will Straw and John Street. The Cambridge Companion to Pop and Rock. Cambridge, MASS: Cambridge University Press, 2010.

Gagnon, Jean. Portraits of Dialogue: The Condition of Sociability in the Interactive Portraiture of Luc Courchesne HorizonZero 11 (2004).

Gunning, Tom. Never Seen This Picture Before; Muybridge in Multiplicity In Time Stands Still: Muybridge and the Instantaneous Photography Movement, edited by Phillip Prodger, 222-272. Oxford: Oxford University Press, 2003.

Huhtamo, Erkki. Elements of Screenology : Toward an Archaeology of the Screen Iconics: International Studies of the Modern Image 7 (2004): 31-82.

Kluszczyński, Ryszard W.. Screens/Images/Worlds_Transformations of Seeing Art Inquiry V (2003): 87-104.

Nadarajan, Gunalan. Spectres of the Animal: The Transgenic Works of Eduardo Kac In The Eighth Day: The Transgenic Art of Eduardo Kac, edited by Sheilah Britton and Dan Collins, 44-50. Tempe: The Institute for Studies in the Arts, Arizona State

Penny, Simon and Bill Vorn. Bedlam and Other Robotic Art Projects In Subtle Technologies 03, edited by Jim Ruxton and Tania ThompsonUniversity of Toronto, Toronto: 2003.

Angerer, Marie-Luise and Kathrin Peters and Zoe Sofoulis, ed. Future Bodies: Zur Visualisierung von Körpern in Science und Fiction. New York, Wien: Springer, 2002.

Bureaud, Annick. Typologie des interfaces artistiques In Esthétique des Arts Médiatiques. Interfaces et sensorialité, edited by Louise Poissant, 175. Québec: Presses de l'Université du Québec, 2003.