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La création transactionnelle, Architecture du système In/Out de Création P2P
2008
Benayoun, M.. La création transactionnelle, Architecture du système In/Out de Création P2P http://www.academia.edu/35833643/La_cr%C3%A9ation_transactionnelle_Architecture_du_syst%C3%A8me_In_Out_de_Cr%C3%A9ation_P2P.
L’intention artistique à l’œuvre Hypothèses pour un passage à l’acte
2008
Benayoun, M.. L’intention artistique à l’œuvre Hypothèses pour un passage à l’acte
Le "Générateur de Failles Psychologiques Intégré"
2003
Benayoun, M.. Le "Générateur de Failles Psychologiques Intégré" http://www.academia.edu/35883827/Le_G%C3%A9n%C3%A9rateur_de_Failles_Psychologiques_Int%C3%A9gr%C3%A9_performance_danticipation_sur_lInternet_des_Objets_2003_French.
La 3D dans les systèmes interactifs, habillage ou langage?
1994
Benayoun, M.. La 3D dans les systèmes interactifs, habillage ou langage? www.benayoun.com.
Halycon Arts Lab brings Future to the Present
2018
Royce, Aaron. Halycon Arts Lab brings Future to the Present Washington Life Magazine (October 2018).
An der digitalen Leine.
2017
Rauterberg, Hanno. An der digitalen Leine. Die Zeit , no. 05 (January 2017).
Virtual Reality // ‘The Unframed World’: An Interview with Banz & Bowinkel
2017
Birch, Lisa. Virtual Reality // ‘The Unframed World’: An Interview with Banz & Bowinkel http://www.berlinartlink.com/2017/02/07/virtual-reality-the-unframed-world-an-interview-with-banz-bowinkel/.
Revelation -Notification: Research Solo Exhibitionby Lin Pey-Chwen
2013
Hsiao-chiu, Lai. Revelation -Notification: Research Solo Exhibitionby Lin Pey-Chwen http://www.linpeychwen.org/wp-content/uploads/2013/09/Revelation-Notification.pdf.
The Birth of Eve Clone - Technological Satire of a Genetic Reproduction Laboratory
2011
Tseng, Jane. The Birth of Eve Clone - Technological Satire of a Genetic Reproduction Laboratory Art Appreciation (2011): 61-63.
Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art
2011
Yeh, C. J.. Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art Ming Chuan - Magazine (2011): 53-56.
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