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Review of Contemporary Chinese Art, Primary Documents, by Wu Hung, Leonardo on-Line Reviews 2010

Pearlman,Ellen. Review of Contemporary Chinese Art, Primary Documents, by Wu Hung, Leonardo on-Line Reviews December.
Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre 2017

Pearlman, Ellen. Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre PAJ (Performance Arts Journal), MIT Press (May 2017).
The Brain As Site Specific Surveillant Performative Space 2015

Pearlman, Ellen. The Brain As Site Specific Surveillant Performative Space International Journal of Performance Arts and Digitial Media 11,Issue 2 (November 2015).
The Brain As A Hackable Driver 2015

Pearlman,Ellen. The Brain As A Hackable Driver International Society For Electronic Art (ISEA),Vancouver (August 2015).
The Brain As A Reintrpretation Device 2015

Pearlman,Ellen. The Brain As A Reintrpretation Device Sounds, Image, Data-NYU Steinhardt/Goldsmiths/Leonardo (July 2015).
Capture All Your Thoughts 2015

Pearlman,Ellen. Capture All Your Thoughts Datafied Research Newspaper 4, Issue 1 (2015).
Far Field: Digital Culture, Climate Change, and the Poles 2011

Polli, Andrea and Jane Marsching. Far Field: Digital Culture, Climate Change, and the Poles. Bristol: Intellect Ltd., 2011.
Sonifications of Global Environmental Data 2016

Polli, Andrea. Sonifications of Global Environmental Data In Environmental Sound Artists: In Their Own Words, edited by Frederick Bianchi and V.J. Manzo, 3-8. Oxford: Oxford University Press, 2016.
Video-games + Interaction = Skills Development 2015

Albuquerque, Beatriz. Video-games + Interaction = Skills Development In The Growth of Art Anthology, edited by Nisha PatelNew York: Teachers College, Columbia University, 2015.
source code poetry (2016, in Digicult, nov. 2018) 2018

aprile, francesco. source code poetry (2016, in Digicult, nov. 2018). Vol.novembre 2018. novembre, novembre 2018 th ed.Digicult.it: Digicult, 2018.

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