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García Canclini, Néstor and Pat Badani, ed. Extranjería como contexto. Interculturalidad y arte digital iberoamericano. Vol.Book chapter. ISBN: 978-987-1496-03-7, Extranjeros en la tecnología y la cultura th ed.Buenos Aires, Argentina: Colección

Patrick, Martin. [in time time] introductory essay to Pat Badani's exhibition Tarble Art Center exhibition catalogue (02.24.2008 2008): 3.

Parker, Kayla and Stuart Moore. Father-land: troubled dialogues in a divided island Arts Institute Research Stories 2016/17 1 (January 2018): 17-18.

Schwartz, Lillian F.. Computers and Appropriation Art: The Transformation of a Work or Idea for a New Creation Leonardo 29, no. 1 (1996): 43-49.

Ellen Pearlman. The brain as a site specific performative space https://tandfonline.com/doi/full/10.1080/14794713.2015.1084810.

Pearlman,Ellen. Tibetan Sacred Dance. Rochester: Inner Traditions, 2002.

Pearlman,Ellen. Surveillance Siddhi In Signal Culture Cookbook: Creative Media Recipes E-book, edited by Tammy McGovern, 101-103. Owego: Signal Culture, 2010.

Kathy High. Review of The Emergence of Video Processing Tools, Vols. 1 and 2 June.

Pearlman, Ellen. Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre PAJ (Performance Arts Journal), MIT Press (May 2017).

Pearlman,Ellen. Capture All Your Thoughts Datafied Research Newspaper 4, Issue 1 (2015).