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Malina, Roger F.. Digital Image - Digital Cinema: The Work of Art in the Age of Post Mechanical Reproduction In Digital Image, Digital Cinema: SIGGRAPH´90 Art Show Catalog, Vol.3. Leonardo. Supplemental Issue, , 33-38. Cambridge, MA: MIT Press,

Ècole Nationale Supérieure des Beaux-Arts, ed. Connexions: art, réseaux, média. Paris: Ensb-a, collection Guide de l´Etudiant en Art, 2002.

Frohne, Ursula. "Show and Tell, The Discursive Idea of Things" and "Horror Vacui" In (dis)Locations, , 512-61; 84-93. Ostfildern-Ruit: Hatje Cantz, 2001.

Zielinski, Siegfried. Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens. Reinbek, DE: Rowohlt Taschenbuch Verlag, 2002.

Curnow, Wystan and Dorine Mignot, ed. Under Capricorn: Art in the Age of Globalisation. Amsterdam, Wellington: Stedelijk Museum Amsterdam, 1996.

Allen, Rebecca. Emergence and The Bush Soul In Computer Graphics: ACM SIGGRAPH, edited by Gordon Cameron and Scott Fisher and Glen FraserVol.32. : SIGGRAPH, 1998.

Nake, Frieder. The Display as a Looking-Glass: Zu Ivan E. Sutherlands früher Vision der grafischen Datenverarbeitung In Visionen, Pardigmen und Leitmotive in der Geschichte der Informatik, edited by Hans Dieter HelligeBerlin, Heidelberg, New York:

Weibel, Peter. The Intelligent Image: Neurocinema or Quantum Cinema? In Future Cinema, edited by Jeffrey Shaw and Peter Weibel, 594-601. Cambridge, MA: The MIT Press, 2003.

Juul, Jesper. What Computer Games Can and Can´t Do In Digital Arts and Culture Conference in Bergen, August 2nd-4th 2000, Bergen: 2000.

Zanini, Walter. A arte de comunicacão telemática: a interatividade no ciberespaco ARS (Departamento de Artes Plasticos) 1, no. 1 (2003).