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Fechner, Gustav Theodor. Elemente der Psychophysik https://archive.org/details/elementederpsych001fech.

Simanowski, Robert. Textmaschinen - Kinetische Poesie - Interaktive Installationen. Zum Verstehen von Kunst in digitalen Medien. Bielefeld: transcript, 2012.

Farman, Jason. Mobile Interface Theory: Embodied Space and Locative Media. New York: Routledge, 2012.

Bay-Cheng, Sarah and Jennifer Parker-Starbuck and David Z. Saltz, ed. Performance and Media: Taxonomies for a changing field. Ann Arbor: University of Michigan Press, 2015.

Salter, Chris. Timbral Architectures, Aurality's Force. Sound and music In William Forsythe and the practice of choreography: It starts from any point, edited by Steven SpierNew York: 2011.

Peraica, Ana. Culture of the Selfie: Self-Representation in Contemporary Visual Culture. Theory on Demand, Amsterdam: Institute of Network Cultures, 2017.

Jung, Patricia and Helen Varley Jamieson. “Online performances mit UpStage” – chapter in Video: Wiedergabe, Bearbeitung und Streaming unter Linux, ed. Nils Magnus and Torsten Spindlerr. Germany: Open Source Press, 2005.

Jamieson, Helen Varley and Vicki Smith. UpStage: An Online Tool for Real-Time Storytelling Creative Technologies Journal , no. 2 (November 2011).

Bent, Eliza. Preview of the 121212 UpStage Festival of Cyberformance American Theatre Magazine (December 2012): 60.

Jamieson, Helen Varley. "We collaborate [t]here: processes of networked collaboration" - chapter in "Intersecting Art and Technology in Practice", eds. Camille Baker & Kate Sicchio.. Advances in Art and Visual Studies, New York: Routledge, 2017.