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Information Arts: Intersections of Art, Science, and Technology
2003
Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. Cambridge, MA: The MIT Press, 2003.
The Evolution of Binocular Vision
1986
Pettigrew, John D.. The Evolution of Binocular Vision In Evolution of the Eye and Visual System, edited by John R. Cronly-Dillon and Richard L. Gregory, 271-283. New York: MacMillan Technical Publishing, 1986.
New Media in Late 20th-century Art (World of Art)
2003
Rush, Michael. New Media in Late 20th-century Art (World of Art). London, UK: Thames and Hudson, 2003.
Likeness and Presence: A History of the Image Before the Era of Art
1994
Belting, Hans. Likeness and Presence: A History of the Image Before the Era of Art. Chicago: University of Chicago Press, 1994.
Digitale Muse Internet? / Digital Muse Internet?
1996
Fleischmann, Monika and Shaw Jeffrey. Digitale Muse Internet? / Digital Muse Internet? In Perspektiven der Medienkunst/ Perspectives of Media Art, edited by Hans Peter SchwarzOstfildern-Ruit: Edition ZKM and Cantz Verlag, 1996.
Programming the Post Human, Computer Science redefines "life"
2002
Ullmann, Ellen. Programming the Post Human, Computer Science redefines "life" Harper´s Magazine (October 2002).
Living Cartography
1994
Fischlin, Daniel and Andrew Taylor. Living Cartography Border Crossings (1994): 64-66.
Remediation: Understanding New Media
2000
Bolter, Jay David and Richard Grusin. Remediation: Understanding New Media. Cambridge, MASS: MIT Press, 2000.
Toni Dove´s Artificial Changelings: Collapsing Time and Feeling e/Motional Spaces
2003
Tait, Peta. Toni Dove´s Artificial Changelings: Collapsing Time and Feeling e/Motional Spaces Double Dialogues 4 (Winter 2003).
Strange Attractors: A History of Video Production and Presentation in Ottawa
2000
Fortin, Sylvie and Sue Ditta, ed. Strange Attractors: A History of Video Production and Presentation in Ottawa. : 2000.
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