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Boden, Margaret A.. Autopoiesis and Life Cognitive Science Quarterly 1 (2000): 117-145.

Shanken, Edward A., ed. Telematic Embrace: Visionary Theories of Art , Technology, and Consciousness by Roy Ascott. Berkeley, CA: University of California Press, 2003.

Straw, Will. Paraliterary Scandals in Canada Essays on Canadian writing , no. 62 (1998).

Weintraub, Linda. Art on the Edge and Over: Searching for Art´s Meaning in Contemporary Society, 1970-1990s. New York: Art Insights Inc., 1996.

Stafford, Barbara Maria. Visual Analogy. Consciousness as the Art of Connecting. Cambridge, MA: The MIT Press, 1999.

Browaeys, Dorothée Benoit. L´art biotech ou quand l´art se fait chair L´Observatoire de la génétique 10 (March-April 2003).

Gunning, Tom. Re-Newing Old Technologies: Astonishment, Second Nature, and the Uncanny in Technology from the Previous Turn-of-the-Century In Rethinking Media Change The Aesthetics of Transition, edited by David Thorburn and Henry

Ditta, Su. Eyeing the Sublime: Poetic Politics in the Work of Lisa Steele and Kim Tomczak In The Blood Records Written and Annotated: Critical Symptoms, Oakville, Ont.: Oakville Galleries Print., 1999.

Domingues, Diana. Arte e Vida no Século XXI: Tecnologia, ciência e criatividade. São Paulo, BR: Editora UNESP, 2003.

Durand, Guy Sioui. L´indiscipline: essai sur deux zones fluides de l´interdisciplinarité en art In Penser l’indiscipline : recherches interdisciplinaires en art contemporain, edited by Lynn Hughes and Marie-Josée LafortuneMontreal, CAN: Optica,