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A History of the Bossa Nova 1981

Penny, Simon. A History of the Bossa Nova. Sydney, AUS: Institute for Oblique Studies, 1981.
Design and Entertainment in the Electronic Age 1994

Allen, Rebecca and Bill Brown and Kit Galloway and Ruth E. Iskin and Sherrie Rabinowitz and Alex Singer. Design and Entertainment in the Electronic Age Leonardo 4, no. 4 (1994): 347-351.
Traces: Wireless Full Body Tracking in the CAVE 1999

Penny, Simon and Jeffrey Smith and Andre Bernhardt. Traces: Wireless Full Body Tracking in the CAVE In ICAT 9th International Conference on Artificial Reality and Tele-Existence Conference Proceedings, Tokyo, Japan: 1999.
Traces: Embodied Immersive Interaction with Semi-Autonomous Avatars 2001

Penny, Simon and Bernhardt et. al. Schulte. Traces: Embodied Immersive Interaction with Semi-Autonomous Avatars Convergence (Summer 2001).
Terminal New York 1983

Penny, Simon. Terminal New York Artviews Magazine (1983).
Navigator. A Posthumous Biography of Geoffrey Lloyd 1982

Penny, Simon, ed. Navigator. A Posthumous Biography of Geoffrey Lloyd. Adelaide, AUS: Experimental Art Foundation, 1982.
Critique-New York, The Terminal 1984

Penny, Simon. Critique-New York, The Terminal Art Network (1984).
Agents as Artworks and Agent Design as Artistic Practice 1999

Penny, Simon. Agents as Artworks and Agent Design as Artistic Practice In Human Cognition and Social Agent Technology, edited by Kerstin DautenhahnAmsterdam, NL: John Benjamins Publishing Company, 1999.
Death of the New (Venice Biennale 1984) 1984

Penny, Simon. Death of the New (Venice Biennale 1984) Artlink (1984).
Systems Aesthetics and Cyborg Art: The Legacy of Jack Burnham 1999

Penny, Simon. Systems Aesthetics and Cyborg Art: The Legacy of Jack Burnham Sculpture Magazine (January 1999).

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