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Pettigrew, John D.. The Evolution of Binocular Vision In Evolution of the Eye and Visual System, edited by John R. Cronly-Dillon and Richard L. Gregory, 271-283. New York: MacMillan Technical Publishing, 1986.

Durand, Guy Sioui. L´indiscipline: essai sur deux zones fluides de l´interdisciplinarité en art In Penser l’indiscipline : recherches interdisciplinaires en art contemporain, edited by Lynn Hughes and Marie-Josée LafortuneMontreal, CAN: Optica,

Fleischmann, Monika and Shaw Jeffrey. Digitale Muse Internet? / Digital Muse Internet? In Perspektiven der Medienkunst/ Perspectives of Media Art, edited by Hans Peter SchwarzOstfildern-Ruit: Edition ZKM and Cantz Verlag, 1996.

Ullmann, Ellen. Programming the Post Human, Computer Science redefines "life" Harper´s Magazine (October 2002).

Tait, Peta. Toni Dove´s Artificial Changelings: Collapsing Time and Feeling e/Motional Spaces Double Dialogues 4 (Winter 2003).

Schwarz, Hans-Peter. Retroactive and Interactive Media Art. On the Works of Agnes Hegedüs In Agnes Hegedüs – Interactive works, Kunst und Ausstellungshalle der Bundesrepublik Deutschland Bonn, edited by Agnes Hegedüs and ZKM Karlsruhe: ZKM

Didi-Huberman, Georges. Was wir sehen, blickt uns an: Zur Metapsychologie des Bildes. München: Wilhelm Fink Verlag, 1999.

Fortin, Sylvie and Sue Ditta, ed. Strange Attractors: A History of Video Production and Presentation in Ottawa. : 2000.

Druckrey, Timothy, ed. Ars Electronica: Facing the future - a Survey of Two Decades. Wien, New York: Springer, 1999.

Elkins, James. Visual Studies: A Skeptical Introduction. New York: Routledge, 2003.