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Murray, Timothy. Digital Baroque. New Media Art and Cinematic Folds. Vol.26. Electronic Mediations, Minneapolis: UNiversity of Minnesota Press, 2008.

Aceti, Lanfranco. The Cultural Body’s Death by a Thousand Cuts: Why Society Is No Longer a Body and Why It Can Be Cut to Pieces Journal of Visual Culture 14, no. 2 (August 2015): 137-154.

Grau, Oliver and Sebastian Haller and Janina Hoth and Viola Rühse and Devon Schiller and Michaela Seiser. DOCUMENTING MEDIA ART: Towards a social WEB 2.0-Archive for MediaArtHistories and an integrative Bridging Thesaurus Tagungsband des Vereins

Aceti, Lanfranco. Reactions, Inheritance and Memories: Genetic Transmission of Trauma through Blood and Neurons In The Cultural Reader, edited by Denise RobinsonCyprus: NeMe, 2015.

Aceti, Lanfranco. Without Visible Scars: Digital Wars and the Memory of War,” Leonardo 42, no. 1 (2009): 16-26.

Gates-Stuart, Eleanor. Stellrscope In C. Kennedy & M. Rosengren (Eds.), SPECTRA: images and data in art/science. Proceedings from the symposium SPECTRA 2012. Australian Network for Art and Technology, SA (2014).

Porush, David. The Soft Machine. Cybernetic fiction. New York: Methuen, 1985.

Porush, David. The Soft Machine. Cybernetic fiction. New York: Methuen, 1985.

Aprile Francesco. Computer poems. Dall’archeologia al source code poetry. Vol.september 2016. Utsanga.it th ed.Italy: Utsanga.it, 2016.

Bulatov, Dmitry, ed. Evolution haute Couture. Art and Science in the post-biological age. Vol.1. Kaliningrad: NCCA, 2009.