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Kunst und lllusion: Zur Psychologie der bildlichen Darstellung 2002

Gombrich, Ernst Hans. Kunst und lllusion: Zur Psychologie der bildlichen Darstellung. Berlin: Phaidon Verlag, 2002.
Silicon and Acorns 1998

Goldstein, Jon. Silicon and Acorns Time Digital (October 1998): 16.
Ways of Worldmaking 1978

Goodman, Nelson. Ways of Worldmaking. Cambridge, MASS: Hackett Publishing, 1978.
Digital Visions: Computers and Art 1987

Goodman, Cynthia. Digital Visions: Computers and Art. New York: Harry N. Abrams, 1987.
Das forschende Auge: Kunstbetrachtung und Naturwahrnehmung 1994

Gombrich, Ernst Hans. Das forschende Auge: Kunstbetrachtung und Naturwahrnehmung. Edition Pandora th ed.Frankfurt/Main: Campus Verlag, 1994.
Der bewegte Betrachter. Theorien der interaktiven Medienkunst 1997

Hünnekens, Annette. Der bewegte Betrachter. Theorien der interaktiven Medienkunst. Köln: Wienand Verlag, 1997.
Coded Characters. Media Art by Jill Scott 2003

Hahne, Marille, ed. Coded Characters. Media Art by Jill Scott. Ostfildern-Ruit: Hatje Cantz, 2003.
From Kaleidoscomaniac to Cybernerd. Notes toward an Archeology of the Media 1997

Huhtamo, Erkki. From Kaleidoscomaniac to Cybernerd. Notes toward an Archeology of
the Media Leonardo 30, no. 3 (1997): 221-224.
Modest_Witness@Second_Millennium: FemaleMan meets OncoMouse: Feminism and Technoscience 1996

Haraway, Donna J.. Modest_Witness@Second_Millennium: FemaleMan meets OncoMouse: Feminism
and Technoscience. New York, London: Routledge, 1996.
Cultural Diversity in the Global Village: The Third International Symposium on Electronic Art 1992

Harley, Ross, ed. Cultural Diversity in the Global Village: The Third International
Symposium on Electronic Art. Sydney: TISEA, 1992.

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