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Bedau, Mark A.. Philosophical Content and Method of Artificial Life In The Digital Phoenix: How Computers are Changing Philosophy, edited by Terrell Ward Bynam and James H. Moor, 135-152. Oxford: Basil Blackwell, 1998.

Belting, Hans. Bild und Kult: Eine Geschichte des Bildes vor dem Zeitalter der Kunst. München: C.H. Beck, 1990.

Frith, Simon and Will Straw and John Street. The Cambridge Companion to Pop and Rock. Cambridge, MASS: Cambridge University Press, 2010.

Gunning, Tom. Never Seen This Picture Before; Muybridge in Multiplicity In Time Stands Still: Muybridge and the Instantaneous Photography Movement, edited by Phillip Prodger, 222-272. Oxford: Oxford University Press, 2003.

Huhtamo, Erkki. Elements of Screenology : Toward an Archaeology of the Screen Iconics: International Studies of the Modern Image 7 (2004): 31-82.

Därmann, Iris. Tod und Bild : eine phänomenologische Mediengeschichte. München: Fink, 1995.

Henderson, Linda Dalrymple. The Fourth Dimension and Non-Euclidean Geometry in Modern Art Leonardo 17, no. 3 (1984): 205-210.

Angerer, Marie-Luise and Kathrin Peters and Zoe Sofoulis, ed. Future Bodies: Zur Visualisierung von Körpern in Science und Fiction. New York, Wien: Springer, 2002.

Bureaud, Annick. Typologie des interfaces artistiques In Esthétique des Arts Médiatiques. Interfaces et sensorialité, edited by Louise Poissant, 175. Québec: Presses de l'Université du Québec, 2003.

Fox Keller, Evelyn. Making Sense of Life: Explaining Biological Development with Models, Metaphors, and Machines. Cambridge, London: Harvard University Press, 2002.