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Nake, Frieder. The Display as a Looking-Glass: Zu Ivan E. Sutherlands früher Vision der grafischen Datenverarbeitung In Visionen, Pardigmen und Leitmotive in der Geschichte der Informatik, edited by Hans Dieter HelligeBerlin, Heidelberg, New York:

Diebner, Hans and Timothy Truckerey and Peter Weibel, ed. Sciences of the Interface: Proceedings of the International Symposium, ZKM_Karlsruhe, May 18 - 21, 2000. Tübingen: Genista Verlag, 2001.

Shanken, Edward A., ed. Telematic Embrace: Visionary Theories of Art , Technology, and Consciousness by Roy Ascott. Berkeley, CA: University of California Press, 2003.

Straw, Will. Paraliterary Scandals in Canada Essays on Canadian writing , no. 62 (1998).

Weintraub, Linda. Art on the Edge and Over: Searching for Art´s Meaning in Contemporary Society, 1970-1990s. New York: Art Insights Inc., 1996.

Stafford, Barbara Maria. Visual Analogy. Consciousness as the Art of Connecting. Cambridge, MA: The MIT Press, 1999.

Ditta, Su. Eyeing the Sublime: Poetic Politics in the Work of Lisa Steele and Kim Tomczak In The Blood Records Written and Annotated: Critical Symptoms, Oakville, Ont.: Oakville Galleries Print., 1999.

Domingues, Diana. Arte e Vida no Século XXI: Tecnologia, ciência e criatividade. São Paulo, BR: Editora UNESP, 2003.

Luhmann, Niklas. Die Kunst der Gesellschaft. Frankfurt/Main: Suhrkamp Taschenbuch Wissenschaft, 2002.

Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. Cambridge, MA: The MIT Press, 2003.