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Gilles Charalambos. Retrovisión Espectral-Aproximaciones a una historia del videoarte en Colombia. Bogotá, Colombia: IDARTES, 2018.

Gilles Charalambos. Retrovisión Espectral-Aproximaciones a una historia del videoarte en Colombia. Bogotá, Colombia: IDARTES, 2018.

Garavaglia, J. and C. Robles. WOODEN WORLDS - An Audiovisual Performance with Multimedia Interaction in Real-time Interactive Media Art Conference (IMAC) 2011 Proceedings, edited by Morten Søndergaard, Aalborg University Press, 2012 (2012): 54-59.

Pichler, Cathrin. Territorism II In Das Gute muss nicht immer das Böse sein – Kunst aus Vorarlberg, edited by Bucher GmbH & CoHohenems: 2007.

Pichler, Cathrin. Territorism II In Das Gute muss nicht immer das Böse sein – Kunst aus Vorarlberg, edited by Bucher GmbH & CoHohenems: 2007.

Frank, Peter and Charlotte Frost and Thomas Miller and Michael J. Masucci and Victor Acevedo. Acevedo in Context: Analog Media 1977-1987 • Digital Media 1983 - 2020. 1st th ed.Los Angeles, CA. USA: Acevedomedia, 2022.

Moore, Lila. Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and Performance Artists Master Thesis, Central Saint Martins College of Art and Design, London, 1989.

Pey-Chwen Lin. Confronting the corrupted powers aiming to destroy the Holy Mountain and City, Pey-Chwen Lin,Reading the 2020 “Eve Clone Revelation- Pey-Chwen Lin + Digital Art Lab Exhibition”, Tainan Art Museum Reading the 2020 “Eve Clone

Fleischmann, Monika and Andrea Helbach. CAT - Communication, Art, Technology: History of a project - step by step.” [ ].

Beiguelman, Giselle. A coelhinha e a bioarte http://www.ekac.org/beiguelmanweb.html.