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Cubitt, Sean. The Practice of Light A Genealogy of Visual Technologies from Prints to Pixels. Leonardo Book, Camebridge: MIT Press, 2014.

Cubitt, Sean and Daniel Palmer and Nathaniel Tkacz, ed. Digital Light. London: Open Humanities Press, 2015.

Cubitt, Sean. Simulation and Social Theory. Theory, Culture and Society. London: Sage, 2001.

Cubitt, Sean. Digital Aesthetics. Theory, Culture and Society. London, New York: Sage, 1998.

Neubauer, Susanne. On Visualized Vision In The Early Photographic Work Of Warren Neidich Theory, Culture & Society 27 (December 2010): 306-323.

Paul Thomas. Nanoart: The immateriality of Art. Chicago: Chicago Press, 2013.

Cubitt, Sean. Integral Waste Theory, Culture & Society 32, no. 4 (2015): 133-145.

Andres Burbano and Paul Thomas. Between punched film and the first computers, the work of Konrad Zuse. In Relive : Media Art Histories, edited by Sean CubittCambridge, Mass.: MIT Press, 2013.

Cubitt, Sean and Gunalan Nadarajan and José‐Carlos Mariátegui. Social Formations of Global Media Art Third Text: Special issue MEDIA ARTS: Practice, Institutions and Histories 23, no. 3 (May 2009): 217-228.

Rust, Stephen and Salma Monani and Sean Cubitt, ed. The Ecocinema reader: Theory and Practice. New York: Routledge/Amercian Film Institute, 2012.