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Arnheim, Rudolf. The Coming and Going of Images Leonardo 33, no. 3 (2000): 167-168.

Ascott, Roy. Art, Technology and Computer Science In XLII Esposizione d´Arte: La Biennale di Venezia, edited by Maurizio Calvesi, 187-188. Venezia: Edizione La Biennale, 1986.

Ascott, Roy. Identity in Cyberspace: Pilot Project for a European Cyberspace Collegium. Brusseles: Commission of the European Communities, D.G.XXII, Brussels, 1996.

Barfield, Woodrow and Claudia Hendrix and Kurt Kaczmarek and Lotens, Wouter. Comparison of Human Sensory Capabilities with Technical Specifications of Virtual Environment Equipment Presence 4, no. 4 (1995): 329-356.

Weibel, Peter. Die Ästhetik der digitalen Kunst In Computerkunst, edited by Kulturverband FavoritenWien: 1985.

Ascott, Roy. The Cybernetic Stance: My process and Purpose. In Visual Art, Mathematics and Computers, edited by Roger F. Malina, 135-142. London: Pergamon Press, 1979.

Ascott, R.. Le moment télématique In L'estetica della communicazione, edited by M. Costa, 81-84. : Palladio Editrice, 1987.

Weibel, Peter. Die digitale Bildrevolution In Leuchtspuren. Holographie, Licht und Computer. Kampnagelfabrik, Halle O, Hamburg vom 23.3. bis 5.5.1985, edited by Gabriele Juschka-KaiserHamburg, DE: Rheinland-Verlag, 1985.

Ascott, Roy. Die Ästhetik des Erscheinenden / Apparitional Aesthetics In Prix Ars Electronica 95, Internationales Kompendium der Computerkünste, edited by H. Leopoldseder, 15-22. : Österreichischer Rundfunk and Landesstudio Oberösterreich, 1995.

Weibel, Peter. Der Bruch des Bildes. Vom Tafelbild zum Bildschirm In Computer art faszination, edited by Dotzler Medien Institut, 25-31. Frankfurt/Main: Suhrkamp, 1990.