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Cadet, France. SweetPad In Homo Ludens Ludens / Playware/ Gameworld, Gijon, ES: LABoral, Centro de Arte, 2008.

Julian Oliver. Polygon Destinies: The Production of Place in the Digital Role-Playing Game In COSIGN 2001 Conference Proceedings, Melbourne Victoria, Australia: Julian Holland Oliver Interactive Information Institute RMIT University,, 2000.

Oliver, Julian. Perceptual Play: Optical Illusion Art as Radical Interface .

Kac, Eduardo. Sur la notion d`art en tant que dialogue visuel In Art-Reseaux, edited by Karen O'Rourke, 20-23. Paris: Centres d`Etudes et de Recherches en Arts Plastique, Université de Paris I, Panthéon-Sorbonne, 1992.

Kisseleva, Olga. To be here and there: General Relativity and Quantum Physics In PLASTK Art and Science 1, Université Paris 1, Panthéon-Sorbonne, edited by Olga KisselevaParis: Université de Paris I, Panthéon-Sorbonne, 2010.

Ikeda, Ryoji. date | place. Atelier de Création Radiophonique(ACR), France Culture: Èdition DIS VOIR, FR, 2010.

Sommerer, Christa and Gerald Bast and Wolfgang Fiel. Solar Display: A Self-powered Media Facade In New Realities: Being Syncretic, Consciousness Reframed: The Planetary Collegium’s IXth International Research Conference, edited by Roy

Kunstverein München. Impulse Computerkunst. Graphik, Plastik, Musik, Film: Kunstverein München, 8.5. bis 7.6. 1970. München: Kunstverein München, 1970.

Nemec, Gaspard. Interview: Matt Kenyon. The cross-platform artist talks technology, politics and his newest work, SUPERMAJOR [].

CAE. Marching Plague. New York: Autonomedia, 2006.