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Berlot, Uršula. Space and Spectator: Embodied Perception in the Art of Installation Journal for the Critique of Science, Imagination, and New Anthropology. Lljubljana: Inštitut Časopis za kritiko znanosti XLVI/274, no. 27-54 (2018).

Grau, Oliver and Janina Hoth and Eveline Wandl-Vogt, ed. Digital Art through the Looking Glass: New strategies for archiving, collecting and preserving in Digital Humanities. Krems a. d. Donau: Edition Donau-Universität, 2019.

Paulsen, Kris. Image as Place, The Phenomenal Screen in Kit Galloway & Sherrie Rabinowitz’s Satellite Arts 1977 Leonardo Electronic Almanac 19, no. 2 (2013): 98-111.

Kacunko, Slavko. Österreich. Wirklichkeitskonstruktionen, Datenerfassung und Telekommunikation. Weibel, Kriesche, Adrian, Mark, Tanterl, Ruprechter, Schnell In Closed Circuit Videoinstallationen, edited by Slavko KacunkoBerlin: Logos, 2004.

Krämer, Harald. Future Memories. Utopia Dystopia Nature Exhibition Strategy & Reflection. : 2022.

Krämer, Harald. Future Memories. Utopia Dystopia Nature Exhibition Strategy & Reflection. : 2022.

Krämer, Harald. Future Memories. Utopia Dystopia Nature Exhibition Strategy & Reflection. : 2022.

Krämer, Harald. Future Memories. Utopia Dystopia Nature Exhibition Strategy & Reflection. : 2022.

KRUEGER, TED and Diana Domingues and LOUISE POISSANT. Creative technologies and inovation: healt and well-being Digital Creativity 24, no. 4 (2016): 267-270.

Krämer, Harald; Howe, Daniel; Chung, Kyle, ed. Elke Reinhuber: Face Value in CULTURAL R>EVOLUTION, ISEA 2016 Catalogue, p.238-241. Hong Kong: School of Creative Media, City University of Hong Kong, 2016.