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Kisseleva, Olga and Oliver Grau. Theory and Practice of Media Art: Aesthetic Parergons and Perspectives In First Post Industrial Contemporary Art Biennale, edited by NCCAEkaterinburg: NCCA, 2010.

Ascott, Roy. Towards a Field Theory for Postmodernist Art Leonardo 13, no. 13 (1980): 51-52.

Broeckmann, Andreas. The Naked Bandit in the Theatre of Visibilities. Control, Attention and Performance in Recent Projects by Knowbotic Research Knowbotic Research (online) (2010).

Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance In Proceedings for the 7th Annual Conference in New Interfaces for Musical Expression (NIME 2007), edited

Birkhoff, Georg David. A Mathematical Theory of Aesthetics and its application to Poetry and Music The Rice Institute Pamphlet 19, no. 3 (July 1932).

Bense, Max and Abraham A. Moles, ed. bit international 1 - the theory of information and new aesthetics. Zagreb: Galerije grada Zagreba, 1968.

Rosenblueth, Arturo and Norbert Wiener and Julian Bigelow. Behaviour, Purpose, and Teleology Philosophy of Science 10, no. 1 (January 1943): 18-24.

Shannon, Claude Elwood and Warren Weaver. The Mathematical Theory of Communication. Champaign, IL: University of Ilinois Press, Urbana III, 1949.

Von Neumann, John and Oskar Morgenstern. Theory of Games and Economic Behavior. Princeton: Princeton University Press, 1944.

Burks, Arthur, ed. Theory of Self-Reproducing Automata. Urbana, London: University of Illinois Press, 1966.