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The History of Telepresence:
Auto
mata, Illusion and Rejecting the Body
2012
...Grau, Oliver. The History of Telepresence:
Auto
mata, Illusion and Rejecting the Body In Nature, edited by Jeffrey Kastner, 121-124. London:...
O "curto-circuito" da arte digital no Brasil
2014
... digital no Brasil. Vol.1. 1, 1 th ed.Santa Maria: edição do
auto
r, 2014.
Der
Auto
r ist tot, es lebe der
Auto
r –
Auto
rschaften im Internet
2004
...Simanowski, Roberto. Der
Auto
r ist tot, es lebe der
Auto
r –
Auto
rschaften im Internet In Interaktivität: Ein transdisziplinärer...
Nomadic Images: Transmediality and Hybridity in Contemporary Media Art
2011
... Transmediality and Hybridity in Contemporary Media Art In The
Home
lessness of Art, edited by Grzegorz Sztabiński, 119-134. Łódź:...
Myron Turner:
Auto
biography
1996
...DeGrow, Don. Myron Turner:
Auto
biography Winnipeg Art Gallery Studio Series , no. 28 (1996): 4 pages.
Performance and Interactivity: dynamics author/reader in Electronic Literature Performance e interatividade: dinâmica
auto
r/leitor na Literatura Eletrônica
2011
... in Electronic Literature Performance e interatividade: dinâmica
auto
r/leitor na Literatura Eletrônica Revista Encontro de Vistas ...
Net.art: (no)arte, en una zona temporalmente autónoma
1998
Brea, José Luis. Net.art: (no)arte, en una zona temporalmente autónoma [].
La máquina y la carne. La realidad vs el arte róbotico
2012
Iglesias, Ricardo. La máquina y la carne. La realidad vs el arte róbotico. ISBN: 9788415415190 th ed.Madrid: Evohé: In "De Prometeo a Frankenstein. Autómatas, ciborgs y otras criaturas más que humanas" Various Authors, 2012.
Robots femeninos y arte electrónico
2009
Iglesias, Ricardo. Robots femeninos y arte electrónico. ISBN: 978-84-8381-068-2 th ed.Madrid: Lengua de Trapo: In: "De Galatea a Barbie: autómatas, robots y otras figuras de la construcción femenina". Various Authors, 2009.
Auto
poeisis: Novelty, Meaning and Valve
2004
...Biggs, Simon and James Leach.
Auto
poeisis: Novelty, Meaning and Valve. London: Artwords Press, 2004.
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