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¿Por qué llamarlo Copia, si es Original?. El arte de la Copia Original odel Original Múltiple como estrategia creativa. / Why call it Copy, if it is Original?. The Art of the Original Copy or the
Multiple
Original as creative strategy.
2015
... Art of the Original Copy or the
Multiple
Original as creative strategy....
Erzählte Theorie -
Multiple
Projektion und neue Narration in der Videokunst der 90er Jahre
1999
...Weibel, Peter. Erzählte Theorie -
Multiple
Projektion und neue Narration in der... Multimediale Installati
one
n der 90er Jahre, edited by Ursula...
The HUMANOID Environment for Interactive Animation of
Multiple
Deformable Human Characters
1995
... for Interactive Animation of
Multiple
Deformable Human Characters...
The Etcher's Byte: The Piety of the
Print
; The Pixelation of the Panoptic in Four Southern California Shows
1994
... Etcher's Byte: The Piety of the
Print
; The Pixelation of the Panoptic...
Between
Page
and Screen: Remaking Literature through cinema and cyberspace
2012
...Brillenburg Wurth, Kiene, ed. Between
Page
and Screen: Remaking Literature through...
Internetscape: Web2 Krisenstab Artist Project
Page
2008
... Web2 Krisenstab Artist Project
Page
Untitled 44 (Spring 2008).
UNSEEN: twenty-four-
page
folio, 24
page
s 5.5” x 17”, in a handmade box, David Moscovitch, editor
2020
..., Nina. UNSEEN: twenty-four-
page
folio, 24
page
s 5.5” x 17”, in a handmade box,...
Ming Turner, “Visualizing post-human and cybersexuality : Lin Pey- Chwen and the Eve Cl
one
series" , East Asian Journal of Popular Culture Vol.2 , No. 2, 2016,
page
227-245
2016
... : Lin Pey- Chwen and the Eve Cl
one
series" , East Asian Journal of... Culture Vol.2 , No. 2, 2016,
page
227-245 “Visualizing post-human...
schème
2001
...w.fondation-langlois.org/html/e/
page
.php?Num
Page
=238.
Einleitung
1999
...l, Peter. Einleitung In Kunst ohne Unikat:
Multiple
und Sampling als Medium:... als Medium: Techno-Transformati
one
n der Kunst, edited by Peter Weibel,...
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