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Balpe, Jean-Pierre. Contextes de l´art numerique. Paris: Hermes, 2000.

Boden, Margaret A.. Autopoiesis and Life Cognitive Science Quarterly 1 (2000): 117-145.

Straw, Will. Paraliterary Scandals in Canada Essays on Canadian writing , no. 62 (1998).

Weintraub, Linda. Art on the Edge and Over: Searching for Art´s Meaning in Contemporary
Society, 1970-1990s. New York: Art Insights Inc., 1996.

Stafford, Barbara Maria. Visual Analogy. Consciousness as the Art of Connecting. Cambridge, MA: The MIT Press, 1999.

Ditta, Su. Eyeing the Sublime: Poetic Politics in the Work of Lisa Steele and
Kim Tomczak In The Blood Records Written and Annotated: Critical Symptoms, Oakville, Ont.: Oakville Galleries Print., 1999.

Fleischmann, Monika and Shaw Jeffrey. Digitale Muse Internet? / Digital Muse Internet? In Perspektiven der Medienkunst/ Perspectives of Media Art, edited by Hans Peter SchwarzOstfildern-Ruit: Edition ZKM and Cantz Verlag, 1996.

Bolter, Jay David and Richard Grusin. Remediation: Understanding New Media. Cambridge, MASS: MIT Press, 2000.

Didi-Huberman, Georges. Was wir sehen, blickt uns an: Zur Metapsychologie des Bildes. München: Wilhelm Fink Verlag, 1999.

Fortin, Sylvie and Sue Ditta, ed. Strange Attractors: A History of Video Production and Presentation
in Ottawa. : 2000.