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Ascott, Roy. The Shamantic Web: art et technologie de la conscience In Pour une Ecologie des Media: Art, Cinéma, Vidéo, Ordinateur, edited by M. Klonaris and K. Thomadaki, 88-104. Paris: Astarti, 1998.

Ascott, Roy. The Technoetic Dimension of Art In Art @ Science, edited by Christa Sommerer and Laurent Mignonneau, 279-290. New York: Springer Verlag, 1998.

Baudrillard, Jean. Das perfekte Verbrechen. München: Matthes and Seitz, 1996.

Weibel, Peter. Freies Hirn im Cyberspace. Peter Weibel über Kunst und Medien der
"Zweiten Moderne" Der Spiegel 3 (January 18th 1999): 187-189.

Weibel, Peter. Wissen und Vision. Neue Schnittstellentechnologien der Wahrnehmung In Weltwissen Wissenswelt. Das globale Netz von Text und Bild, edited by Christa Maar and Hans-Ulrich Obrist and Ernst Pöppel, 66-73. Köln, DE: 2000.

Tosa, Naoko. Expression of Emotion, Unconsciousness with Art and Technology In Affective Minds, edited by Giyoo Hatano and Naoyuki Okada and Hiritaka Tanabe, 183-201. Philadelphia: Elsevier Science Health Science Division, 2000.

Benayoun, Maurice. Paradigmes artificiels Technicart (1997).

Ascott, Roy. Is there Love in the Telematic Embrace? Behaviourables and Futuribles In Theories and Documents of Contemporary Art, edited by K. Stiles and P. Selz, 396 and 489-498. Berkeley: University of California Press, 1996.

Tenhaaf, Nell. Neonudism Parachute 85 (Jan/Feb/March 1997): 12-15.

Ascott, Roy. Photography at the Interface In Electronic Culture. Technology and Visual Representation, edited by Timothy Druckrey, 165-172. New York: Aperture, 1996.