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Weibel, Peter. Die Ästhetik der digitalen Kunst In Computerkunst, edited by Kulturverband FavoritenWien: 1985.

Baudrillard, Jean. Jenseits von Wahr und Falsch, oder die Hinterlist des Bildes In Bildwelten, Denkbilder, edited by Florian Rötzer and Matthäus Bachmayer and Otto Van de LooVol.2. Reihe zur Kunst, Grafrath: Boer Verlag, 1986.

Weibel, Peter. Die Differenz zwischen Malerei und Medien In Tuncay Boztepe, Werner Bosch, edited by Urart Sanat Galerisi IstanbulIstanbul: U. Sanat Galerie Istanbul, 1989.

Ascott, Roy. Supervernetzung im unendlichen Datenraum In Zwischen Null und Eins, edited by Peter Purgathofer, 53-59. Wien: TU Wien, 1988.

Ascott, Roy. The Cybernetic Stance: My process and Purpose. In Visual Art, Mathematics and Computers, edited by Roger F. Malina, 135-142. London: Pergamon Press, 1979.

Ascott, Roy. Art and Telematics: Towards a Network Consciousness / Kunst und Telematik
/ L´Art et le télématique In Art + Telecommunication, edited by Heidi Grundmann, 25-67. Vancouver: The Western Front, 1984.

Ascott, Roy. Behaviour at Table In Architectural Projects and Drawings from the Studio of Aslop, Barnett and Lyall, edited by Will Aslop and Cliff Barnett and John LyallLondon: Architectural Association, 1984.

Ascott, Roy. Concerning Nets and Spurs / Netze und Sporen In Artificial Intelligence in the Arts, edited by Richard Kriesche, 44-51. Graz, AUT: Steirischer Herbst, 1985.

Ascott, R.. Le moment télématique In L'estetica della communicazione, edited by M. Costa, 81-84. : Palladio Editrice, 1987.

Deleuze, Gilles. Das Bewegungs-Bild (Kino I). Frankfurt/Main: Suhrkamp, 1989.