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  • Andrés Burbano. Original Narratives Art Gallery: Introduction Leonardo 4, no. 51 (AUGUST 2018): 420-421.
  • Andrés Burbano and Nā‘Anae Mahiki and Skawennati and Daniel Cardoso Llach and Ernest Edmonds. Art Gallery Leonardo 4, no. 51 (AUGUST 2018): 426-445.
  • Cox, Donna J. and Ellen Sandor and Janine Fron. New Media Futures. The Rise of Women in the Digital Arts. Urbana, Champaign: University of Illinois Press, 2018.
  • Hauser, Jens. Greenness: Sketching the Limits of a Normative Fetish In The Aesthetics of Necropolitics, edited by Natasha LushetichVol.4. Experiments/On the Political, , 97-118. London: Rowman & Littlefield Publishers, 2018.
  • Hauser, Jens. Biomediality and Art In Recomposing Art and Science: Artists-in-Labs, edited by Irene Hediger and Jill Scott, 201-219. Berlin: De Gruyter, 2016.
  • Hauser, Jens. It’s Time for a Wetware Update In WETWARE: Art - Agency - Animation, edited by David Familian and Jens Hauser, 11-21. Irvine: Regents of the University of California, 2016.
  • Hauser, Jens. Disentangling Aliveness, Naturalness and Greenness In The New State of The Living, edited by Dmitry BulatovPerm: The Museum of Contemporary Art PERMM, 2019.
  • Hauser, Jens. Rehabilitating Bacteria: A Contemporary Art/Science Interface In Shifting Interfaces : Presence and Relationality in New Media Arts of the Early 21st Century, edited by Hava AldoubyLeuven: Leuven University Press, 2019.
  • Hauser, Jens. Art between Synthetic Biology and Biohacking: Searching for Media Adequacy in the Epistemological Turn Leonardo Electronic Almanac 22, no. 1 (2018): 128-136.
  • Hauser, Jens and Ingeborg Reichle and Hans-Jörg Rheinberger. Synthetisch: Biologie und Kunst In Experimentalität: Hans-Jörg Rheinberger im Gespräch über Labor, Atelier und Archiv, edited by Hans-Jörg Rheinberger, 94-103. Berlin: Kulturverlag Kadmos,...