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Polli, Andrea. Sonifications of Global Environmental Data In Environmental Sound Artists: In Their Own Words, edited by Frederick Bianchi and V.J. Manzo, 3-8. Oxford: Oxford University Press, 2016.

Albuquerque, Beatriz. Performance Art+Internet = Communication In Performances no Contemporaneo, edited by Né BarrosPorto: Faculdade de Letras da Universidade do Porto, 2018.

Albuquerque, Beatriz. Critical Techniques: Theater Exercises for the Classroom In Art School Critique 2.0, edited by Richard JochumNew York: Teachers College, Columbia University, 2017.

Albuquerque, Beatriz. The Role of Videogame Glitch in Adult Learning Phd Thesis, Columbia University, New York, February 2018.

Thomas, Paul. Quantum Art and Uncertainty. Bristol: Intellect, 2018.

aprile, francesco. source code poetry (2016, in Digicult, nov. 2018). Vol.novembre 2018. novembre, novembre 2018 th ed.Digicult.it: Digicult, 2018.

Andrés Burbano and Esteban García Bravo. Konrad Zuse: enabler of computational arts? Archiving and Questioning Immateriality , no. 190 (2016).

Andres Burbano and Alejandro Duque. Friedrich Kittler: No hay Software y otros ensayos sobre filosofía de la tecnología. Caldas, Colombia: Universidad de Caldas, 2017.

Esteban García Bravo and Angus G Forbes and Vetria L Byrd and Andrés Burbano. The interactive image: a media archaeology approach Leonardo 4, no. 50 (AUGUST 2017): 368-375.

Andrés Burbano. Introduction: SIGGRAPH Art Gallery 2018 Leonardo 4, no. 51 (AUGUST 2018): 419-421.