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Winner of The Prix Net Art, 2014: JODI
2014
Michael Connor, Samantha Culp, Zhang Ga, and Sabine Himmelsbach. Winner of The Prix Net Art, 2014: JODI https://prix-netart.org/past-winners/ [PRIX NET ART, October 2014].
Corroding the Machine: Net art pioneers JODI and their instructions for building a bomb
2012
Tom McCormack. Corroding the Machine: Net art pioneers JODI and their instructions for building a bomb http://www.movingimagesource.us/articles/corroding-the-machine-20120406 [Moving Image Source 6 April 2012].
JODI at EYEBEAM, New York
2014
Barbara Pollack. JODI at EYEBEAM, New York Art in America (March 2014).
Textmaschinen - Kinetische Poesie - Interaktive Installationen. Zum Verstehen von Kunst in digitalen Medien
2012
Simanowski, Robert. Textmaschinen - Kinetische Poesie - Interaktive Installationen. Zum Verstehen von Kunst in digitalen Medien. Bielefeld: transcript, 2012.
Mobile Interface Theory: Embodied Space and Locative Media
2012
Farman, Jason. Mobile Interface Theory: Embodied Space and Locative Media. New York: Routledge, 2012.
Performance and Media: Taxonomies for a changing field
2015
Bay-Cheng, Sarah and Jennifer Parker-Starbuck and David Z. Saltz, ed. Performance and Media: Taxonomies for a changing field. Ann Arbor: University of Michigan Press, 2015.
Timbral Architectures, Aurality's Force. Sound and music
2011
Salter, Chris. Timbral Architectures, Aurality's Force. Sound and music In William Forsythe and the practice of choreography: It starts from any point, edited by Steven SpierNew York: 2011.
UpStage: An Online Tool for Real-Time Storytelling
2011
Jamieson, Helen Varley and Vicki Smith. UpStage: An Online Tool for Real-Time Storytelling Creative Technologies Journal , no. 2 (November 2011).
Cyberformance and the Cyberstage
2011
Papagiannouli, Christina. Cyberformance and the Cyberstage International Journal of the Arts in Society 6, no. 4 (2011).
Preview of the 121212 UpStage Festival of Cyberformance
2012
Bent, Eliza. Preview of the 121212 UpStage Festival of Cyberformance American Theatre Magazine (December 2012): 60.
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