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...I'm sorry I made you feel that way (2023) by Martina Menegon... I'm sorry I made you feel that way (2023) by Martina Menegon... I'm sorry I made you feel that way (2023) by Martina Menegon... I'm sorry I made you feel that way (2023) by Martina Menegon... I'm sorry I made you feel that way (2023) by Martina Menegon... I'm sorry I made you feel that way (2023) by Martina Menegon...

.. known for their inimitable poetic language of visualization and sonification of interrelations between humans and nature ..

.. an artist, writer and curator, who has worked in the field of Bio Art since the late Nineties ..

.. his artistic development between research in the humanities, multi-sensory engineering and collaborative practice in the fields of digital art and theatre ..

Elke Reinhuber's work focuses on decision making processes and counterfactual thoughts in media arts. As a decidophobic in her own life, she explores alternative layers of the here and now with immersive environments and expanded photography.

The two internationally renowned media artists and researchers based in Linz/Austria have been active as an artistic couple since the ‘90s and have especially pioneered in the field of interactive media art and exlporations of artificial life.

This essay by former research assistant Isabella Iska at the Center for Image Science, is a tribute to the artist, scholar, professor and permanent driven inventor Charles Csuri (1922-2022), who began creating digital artworks in the 1960s. Today

...calling attention to the beauty of life and the necessity for enlightened thinking about nature’s ‘tangled bank’.

Eduardo Kac, pioneer of multiple art genres like Telematic Art, Transgenic Art and Bio Art, guides us through 40 years of radical changes in the body-technology relationship, offering different approaches on how to reflect the boundaries of human

kondition pluriel is an interdisciplinary digital performance group based in Montreal and Vienna, formed by Marie-Claude Poulin and Martin Kusch. Since its beginnings in 2000, the collective has focused on exploring the performative possibilities of