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  • Virtual Interface Environments
    Fisher, Scott S.. Virtual Interface Environments In The Art of Human-Computer Interface Design, edited by Brenda Laurel and Joy MountfordBoston, MA: Addison-Wesely, 1990.
  • Virtual Lascaux -
    Virtual Lascaux is the brainchild of Benjamin Britton, assistant professor of electronic art at the University of Cincinnati. He was inspired to "connect the past to the future" when, after five years of asking, he was eventually allowed a see the
  • Virtual Life
    Virtual LifeArtist: Thomas RayComment:
  • Virtual Museum video
    The Virtual Museum is a three-dimensional computer-generated museum constituted by an immaterial constellation of rooms and exhibits. A round, motorised rotating platform is furnished with a large video projection monitor, a computer, and a chair
  • Virtual Orchestra -
    "In a room with large-screen walls, where animated virtual players hold different musical instruments, the visitor, wearing data gloves, conducts a musical performance, leading the tempo with one hand and, with the other, directing aspects of the
  • Virtual Reality and Art
    Event: Virtual Reality and ArtInstitution: Virtual Reality Software and Technology (VRST), University College LondonComment:
  • Virtual Reality as the End of the Enlightment Project
    Penny, Simon. Virtual Reality as the End of the Enlightment Project In Virtual Reality Casebook, edited by Carl Eugene Loeffler and Tim AndersonHoboken, New Jersey: Van Nostrand Reinhold Company, 1994.
  • Virtual Reality: An Emerging Medium -
    Event: Virtual Reality: An Emerging MediumInstitution: Guggenheim MuseumComment:
  • Virtual Reality: Scientific and Technological Challenges
    Committee on Virtual Reality Research and Development and National Research Council, ed. Virtual Reality: Scientific and Technological Challenges. Atlanta, USA: The National Academies Press, 1995.
  • Virtual Scenography: The Actor/Audience/Computer Interface
    Reaney, Mark. Virtual Scenography: The Actor/Audience/Computer Interface Theatre Design and Technology 32, no. 1 (Winter 1996): 36-43.
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